To master for SoundCloud, aim for a competitive integrated loudness in the range of -8 to -14 LUFS with a true-peak ceiling of -1 dBTP, and upload a lossless WAV. The key difference from Spotify is that SoundCloud has historically not applied negative loudness normalization, so a louder master can genuinely read louder on the platform rather than being turned down to a fixed target. That changes how aggressive you can be, but it does not change the rules of good mastering.
How SoundCloud loudness works
Most major streaming services - Spotify, YouTube, Tidal, Amazon - normalize playback to around -14 LUFS. Master louder than that and they turn you down. SoundCloud has traditionally behaved differently: it does not push loud uploads down to a fixed loudness target the way Spotify does. In practice that means two tracks uploaded at different loudness levels can actually play back at noticeably different volumes on SoundCloud, where on Spotify they would be matched.
That is why a lot of hip-hop, trap, electronic and beat producers push their SoundCloud masters harder. It is one of the last places where a hotter master translates to a louder listener experience. If you want the contrast with how normalizing platforms behave, read what LUFS to use for streaming.
A caveat worth knowing
Platform behavior changes over time and is not always publicly documented in detail. Treat "no normalization" as the historical norm rather than a permanent guarantee. The safe move is to master something that sounds great at a competitive level but does not fall apart if it ever does get normalized - which is exactly what a clean, controlled master gives you.
Practical loudness and true-peak targets
- Integrated loudness: -8 to -12 LUFS for dense, modern genres where louder reads as more energy on SoundCloud. Around -14 LUFS if your track is dynamic and you want it to breathe.
- True peak: -1 dBTP ceiling. Even though SoundCloud transcodes to Opus and MP3, the -1 dB headroom protects against inter-sample clipping and lossy-encoding distortion. Read true peak explained for why the sample meter under-reads.
- Short-term dynamics: keep some movement between verse and drop. Loud does not have to mean flat.
Do not chase a loudness number so hard that you crush the life out of the track. A limiter pushed too far trades punch and depth for a couple of LUFS you will not even hear once you are past the first listen. If you are unclear on what the limiter is doing to your transients, read what a limiter does.
Upload settings for the best quality
SoundCloud re-encodes whatever you upload into its own streaming formats, so your job is to give it the cleanest possible source.
- Upload a WAV, not an MP3. Always give SoundCloud lossless audio. Uploading an MP3 means it transcodes a lossy file into another lossy file, stacking artifacts. A 16-bit or 24-bit WAV at 44.1 kHz is the right source.
- Match your project sample rate or use 44.1 kHz. 44.1 kHz is the streaming standard. If your session runs at 48 kHz, a good sample-rate conversion on export is fine.
- Keep the true-peak ceiling at -1 dBTP. This survives the transcode far better than a master slammed to 0.
- Bit depth 24-bit is ideal for the master file you upload, giving the encoder more to work with before it compresses.
Not sure how to bounce a clean file for upload or mastering? Read how to export a WAV for mastering so you avoid dithering mistakes and accidental clipping on bounce.
SoundCloud loudness vs other platforms
Here is the strategic picture. If you release the same song across platforms, the ideal is not one master for everything. It is a master that sounds finished at a competitive loudness and holds up whether or not it gets normalized.
- SoundCloud: louder reads as louder. A -9 to -12 LUFS master can shine.
- Spotify, YouTube, Tidal, Amazon: normalized to about -14 LUFS. Extra loudness is discarded on playback.
- Apple Music: normalized to about -16 LUFS.
If you only have time to make one master and you distribute everywhere, target around -14 LUFS with a -1 dBTP ceiling. It will play at full intended level on SoundCloud and sit right at target on the normalizing platforms. If SoundCloud is your primary home and you want maximum impact there, a hotter -9 to -11 LUFS master is fair game - just make sure it still sounds clean, not crushed.
Common SoundCloud mastering mistakes
- Uploading an MP3 as the master. You are double-compressing. Always upload WAV.
- Slamming to 0 dBFS. No headroom means audible distortion after SoundCloud's transcode. Keep -1 dBTP.
- Confusing loud with good. The loudest SoundCloud tracks are not the ones with the most limiting - they are the ones with a strong mix underneath that can take level cleanly.
- Skipping the mix fixes. Mastering cannot rescue a muddy low end or a harsh top. Fix it in the mix first - read mixing vs mastering to know which stage owns which problem.
Try it on your own track. Upload a mix to Sauce Mastering and hear it mastered for streaming - your first master is free, no plugins, no card.